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“The XL2 has the sharpest video viewfinder that Panavision has yet to offer, and the video is also improved in brightness levels which aids the camera assistant.” It can be converted from handheld to Steadicam to studio mode within seconds. Thinking that a certain amount of handheld shots might form part of Tarantino’s design, Richardson chose the Panaflex Millennium XL2 as “ergonomically the most balanced 35mm” camera around. Quentin Tarantino, Leonardo DiCaprio, and Brad Pitt on the set of Once Upon A Time in.Hollywood. One of the prime reasons was that Quentin had designed a series of shots that were to utilize a zoom and that’s not currently an option in 70mm.” “When I first met with Quentin to read ( Once Upon a Time in.Hollywood), he told me he was uncertain if he would shoot in 70 or 35 or perhaps a mixture of both. Richardson returned to Panavision in Woodland Hills, the same facility where the filmmakers collaborated on the groundbreaking large-format release of The Hateful Eight (2015) as well as Django Unchained (2012).
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The director’s longtime cinematographer Robert Richardson, ASC returns behind the camera, having lensed every Tarantino picture since Kill Bill (Vols 1 and 2), to shoot 1969 Los Angeles in primary colors of sky blue and sunset gold.
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Robert Richardson ASC, Cinematographer, on the set of Once Upon A Time in.Hollywood. The all-star cast for Once Upon A Time in.Hollywood is headed by Leonardo DiCaprio and Brad Pitt playing a TV actor and stuntman, respectively, who cross paths with the Charles Manson cult.
#Once upon a time in hollywood movie
It’s a typically outrageous conglomeration of comedy and shock laced with pop culture references to cult B movie film and TV shows, replete with a soundtrack of 1970s hits. The highly anticipated opus from director Quentin Tarantino doesn’t disappoint.